Oedipus, by Aristotles standards is a sadal protagonist. Oedipus fits the description of the necessities of a tragic fighter, and the drool follows the guidelines set for a tragedy. Oedpius is easily considered grievous, conveys an in- temper and appropriate behavior, he is imperfect and life like, and his traits are consistent. Oedipus is a character of serious stature and has greatness, while still embodying virtue and nobility. This macrocosm said, Oepidus is non perfect. Aristotle says the best plotline for a tragedy would be one where the hero falls from unattackable fortune to bad, which is just how Oedipus the King is. His stock from reasoned fortune to bad is not because of any nuisance or wickedness on his part, but because of a slither he made in the past. More importantly, the play is labyrinthian rather than simple and is clearly, a representation of terrible and grim events, both of which Aristotle is quick to mention in The Poetics. All of Aristot les guidelines of a tragic hero are met by Oedipus. Oedipus could easily be considered good by the majority of heap. He necessitates to do good, hes harmonic and wants to very help his people. You may be confident that Ill do anything. (Oedipus the King) This being said, Oedipus has negative traits as well.
According to Aristotle, an entirely good character is repulsive. ...neither should virtuous men appear undergoing a form from good to bad fortune, for that is not fearful, nor pitiable either, but virtuously repugnant. (The Poetics) though he wants to help his people, he still has his testify agenda. Oedipus wants to recoup the killer not just for the sake of his people discernin g who the killer of their former king was, b! ut too to repel the Oracle. Go in and think this out;... If you want to go a full essay, order it on our website:
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